John's Art
Sunshine at Sea
English Channel 1977
Oil Pastel
Minatures: Two images
Dark mid-day Turneresque force 10 gale experience from the deck of old fossil fuel tanker.. with glimmers of sunshine.
Men's Room
Cornwall, England 1986
Pinhole
A4
Study in time and space utilizing multiple pinhole exposures on one singal negative. The pinhole camera has no viewfinder and so the additional enjoyment for me is all in the harzard of chance. Men's Room appears out of an architecturally mixed up space of light, windows and corridor.
How the West was won?
Coney Island, NYC, USA 1989
Pinhole Photography
A3
Study in time and space utilizing two separate pinhole exposures on one singal negative. The old tattered illusions of funfare at Coney Island created an electric atmosphere against the azure sky as they sank into an imaginary sunset of faded glories. The pinhole camera has no viewfinder and so the additional enjoyment for me is all in the harzard of chance.
Brooklyn Muse
Broklyn, NYC, USA 1988
Pinhole photography, cylindrical camera.
A3
Study in time and space utilizing six separate pinhole exposures on one singal negative. The images are unified due to the distortions caused by the cylindrical shape of the negative - function dictating form. The pinhole camera has no viewfinder and so the additional enjoyment for me is all in the harzard of chance.
Seated Figure
Northamptonshire, England 1981
Terracotta with applied patina
30cm X 30cm X 30cm
Configuration adapted from black and white photograph 'The Changing Room' by C.S Gerrish, circa 1930's.
Seated figure study
Cornwall, England 1982
Graphite
A3
Life Drawing: Series of three
I Love America: Do you Love Me?
Coney Island, NYC, USA 1988
Color Photography
Any Size
Fun Fair Play
Studio Life 2
Cornwall, England 1986
Pinhole
35cm X 25cm
Three images drawn together in altered perspective: A study in time
Studio Life 1
Cornwall, England 1985
Pinhole
A3
A study in perspective: As it is
Push Up
Broklyn, NYC, USA 1987
Plaster
Life size
An exercise in light. Push up defying gravity in the space between model and shadow.
In-between
Cornwall, England 1982
Real Objects
Life size
Ready to go: Play on perspective and scale